翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

St Louis Symphony Orchestra : ウィキペディア英語版
St. Louis Symphony

The St. Louis Symphony Orchestra is an American symphony orchestra based in St. Louis, Missouri. Founded in 1880 by Joseph Otten as the St. Louis Choral Society, the St. Louis Symphony Orchestra is the second-oldest symphony orchestra in the United States, preceded only by the New York Philharmonic.
==History==
The St Louis Choral Society performed in the auditorium of the St. Louis Mercantile Library at Locust and Broadway in Downtown St. Louis. During the 1881–82 season the 80-member chorus was joined by an orchestra of 31 members. A disbanded Musical Union joined the group. In 1893 the St. Louis Choral-Symphony was formally incorporated. It remained largely a choral organization through its performances at the 1904 World's Fair under Alfred Ernst when it expanded to a 200-member chorus and an orchestra of 55. Under Max Zach's tenure (1907 to 1921), it changed its name to the St. Louis Symphony Orchestra.
Before moving to its current home in Powell Hall, the SLSO performed for many years at the Kiel Opera House. The orchestra has given concerts regularly at Carnegie Hall and has made overseas tours to Europe and to Japan. The St. Louis Symphony has recorded for the Columbia, RCA Victor, Red Seal, Telarc, Vox/Turnabout and Angel EMI labels. It has also issued CD recordings on its own label, Arch Media, and has received seven Grammy Awards and 58 nominations. For Opera Theatre of St. Louis, the St. Louis Symphony Orchestra has been the resident orchestra since 1978, divided into two ensembles, each performing two of the operas in the season.
The orchestra has an extensive education and community outreach program, known as the Community Partnership Program. SLSO musicians give several hundred free performances a year of chamber music in schools, churches and other venues, such as community centers. The orchestra has a partnership with IN UNISON, an association of 36 local African-American churches. The IN UNISON Chorus, drawn from IN UNISON churches and area residents, performs with the orchestra as well as on its own programs. Also associated with the orchestra is the St. Louis Symphony Chorus, which was founded in 1977. Its first director was Thomas Peck; for the last 20 years, it has been directed by Amy Kaiser. The St. Louis Symphony Youth Orchestra was established in 1970 by Leonard Slatkin.
The national prestige of the St. Louis Symphony Orchestra grew most prominently during the music directorship of Leonard Slatkin, from 1979 to 1996. During his tenure, the orchestra made many recordings for the EMI and RCA Victor labels, and toured to Europe and the Far East, as well as concerts at Carnegie Hall. However, this growth in prestige was not matched by stabilization of long-term finances. In 2000, the SLSO's endowment stood at US$28 million. In 2000, the executive director and President of the SLSO at the time, Don Roth, had secured a US$40 million challenge grant from the Taylor family (owners of privately held Enterprise Rent-a-Car) to help the organization's money situation.〔
〕 However, in that same year, he revealed the situation of severe financial problems with the Saint Louis Symphony Orchestra finances, which nearly led to the orchestra's bankruptcy in 2001. Roth resigned his position in July 2001, and was succeeded by Randy Adams, a retired St. Louis bank executive. Adams embarked on extensive fund-raising efforts in the following years, seeking to enlarge the SLSO's endowment in the process. As part of the budget cuts and cost-saving measures, the musicians agreed to salary cuts over that time, and also a reduction of their 52-week contract to 42 weeks.
In January 2005, a labor dispute led to a cancellation of concerts for two months. Before the musicians had a chance to vote on the terms of the new contract, the management changed the locks to Powell Hall, without notifying musicians this was done thereby "Locking Out" the musicians. Auditions were cancelled, and the health insurance for musicians was cancelled without notice as well. After a two-month contentious and unproductive period of negotiations, the musicians agreed to a ten-week reduction from a 52-week season, and 30% wage reductions. While the musicians considered themselves to be locked out, the management considered this action to be an illegal strike. Upon returning to the stage, the musicians enacted a "Vote of No Confidence" on Executive Director Randy Adams. A mutual agreement was then reached under which both parties agreed to refer to the eight-week period as a "Work Stoppage" and the "Vote of No Confidence" was rescinded. In March 2005, the musicians and Adams agreed to a new contract.
Since September 2005, the American conductor David Robertson has been the Music Director of the St. Louis Symphony Orchestra, having been named to that position in December 2003. In 2013, Robertson's contract was extended through the 2015-2016 season.
The post of Resident Conductor (formerly Assistant Conductor), who also acts as music director of the Saint Louis Symphony Youth Orchestra, is currently held by Steven Jarvi. Before Jarvi, Ward Stare held the position from the beginning of the 2008–2009 season, through the 2011-2012 season. Past St. Louis Symphony Orchestra Assistant Conductors have included Slatkin, Gerhardt Zimmermann, David Loebel, David Amado, and Scott Parkman.
In February 2007, the St. Louis Symphony Orchestra announced the resignation of Adams from positions as its President and Executive Director, as of June 2007.〔Saint Louis Symphony Orchestra, "SLSO President and Executive Director Randy Adams Announces Resignation". Press Release, 20 February 2007.〕〔Sarah Bryan Miller, "Symphony president says he will step aside in June". ''St. Louis Post Dispatch'', 21 February 2007.〕 In December 2007, the St. Louis Symphony Orchestra announced the appointment of Fred Bronstein as the orchestra's new president and executive director.〔Sarah Bryan Miller, "SLSO hires new president". ''St. Louis Post-Dispatch'', 15 December 2007.〕 Bronstein took up the post in March 2008. Faced with declining ticket sales and deficits, Bronstein immediately launched an aggressive new revenue plan with audience development at the core of its actions. Bronstein has also taken steps to broaden and diversify the symphony's programming through popularly-oriented programming series such as "Live at Powell Hall". Since 2008, because of new programming and marketing strategies, ticket revenues have grown 39% in the 2012 fiscal year, the highest revenues in over a decade, while seats sold grew by 16% and more than 31,000 new people were added to the customer base, reversing five years of decline. Because of successful audience development initiatives at the core of the plan as well as other revenue progress and strong management of expenses, the structural deficit (whose gaps are funded by additional contributions) has declined 18% from $3.4m in 2007 to $2.8m in 2011, dipping as low as $2.62m in 2010. Bronstein left the SLSO to head the Peabody Conservatory in Spring 2014.
A "rebranding" process was undertaken in 2010, with the adoption of a new logo and a new “look”, changing its name from the Saint Louis Symphony Orchestra (SLSO) to "St. Louis Symphony". The move was not received with universal approval, and many, including members of the local news media, proved resistant to the marketing-based change.
That same year, the SLSO took part in a 5-concert, 4-city tour in California, its first there in 10 years, receiving great critical acclaim. In its review, the Los Angeles Times noted, “Now when people speak about the handful of exciting American orchestras, St. Louis is one of them.”
Since the fall of 2010, due to the sale of KFUO, the St. Louis Symphony has partnered with St. Louis Public Radio to broadcast its subscription concerts live every Saturday night during its regular season. Since the launch of these radio broadcasts in September 2010, Arbitron ratings for the timeslot now filled by the SLSO have nearly doubled.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「St. Louis Symphony」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.